CSFF Tour – Darkness Follows Day 3

Hey! You, web surfer! Yeah you.

C’mere for a sec.

See, I’m part of the Christian Sci-fi/Fantasy Tour, and we just talked about a cool and creepy book called Darkness Follows by Mike Dellosso. I talked about it Monday with an overview, and Tuesday with a review.

I don’t really want to talk about it today.

Not directly, at least.

Like I said, I’m in a book tour for Christian speculative fiction. There’s cool people here that like interesting books. There’s an interesting aspect of this month’s tour I wanted to investigate.

The book was brought to us for a speculative angle – the protaganist in modern times finds pages from a Civil War officer’s journal, in his own handwriting. The book is considered in the CBA realm as “supernatural suspense.”

The thing is, the book is really a horror book.

It’s not horrible. Hor-ror. It is scary and spooky [insert Addam’s Family theme song here]. It has a purpose in its scare factor, but it definitely has the chills factor.

It seems the CBA industry is scared of labeling books as “horror.” I don’t mind that a speculative fiction tour is featuring this book, it is pretty good, and I’m glad I got to read it. I think it serves a certain type of reader, and does it without some of the hopelessness found in regular horror fiction.

I don’t have all the insights in this quirk of the CBA. For a better authority, I’ll refer you to Mike Duran on his posts concerning “Can Horror Fiction Be ‘Redemptive'” (part 1, 2, 3) and a quick discussion on covers speaking about horrorĀ here, as well as Mike Dellosso’s own words in this post.

Seemed like a good time to take on this idea of the label of “horror” vs. “supernatural suspense” to a group that enjoys speculative fiction. I’veĀ read CBA books ranging from a ghost story (Robin Parrish’s Nightmare, labeled as “paranormal suspense”) to vampires (Eric Wilson’s Jerusalem Undead series) that would fit into a horror genre in a normal bookstore, but don’t get promoted that way in the CBA.

Why is that?

I have my thoughts, but what say you, the well-read and clever folks of the CSFF Tour? Let me know what you think, and I’ll answer back in a few days.

Uh, to get back on track, here’s where you can find all of the other fine posts on Darkness Follows from my tourmates.

Thanks for stopping by.

CSFF Tour – Darkness Follows Day 3

Hey! You, web surfer! Yeah you.

C’mere for a sec.

See, I’m part of the Christian Sci-fi/Fantasy Tour, and we just talked about a cool and creepy book called Darkness Follows by Mike Dellosso. I talked about it Monday with an overview, and Tuesday with a review.

I don’t really want to talk about it today.

Not directly, at least.

Like I said, I’m in a book tour for Christian speculative fiction. There’s cool people here that like interesting books. There’s an interesting aspect of this month’s tour I wanted to investigate.

The book was brought to us for a speculative angle – the protaganist in modern times finds pages from a Civil War officer’s journal, in his own handwriting. The book is considered in the CBA realm as “supernatural suspense.”

The thing is, the book is really a horror book.

It’s not horrible. Hor-ror. It is scary and spooky [insert Addam’s Family theme song here]. It has a purpose in its scare factor, but it definitely has the chills factor.

It seems the CBA industry is scared of labeling books as “horror.” I don’t mind that a speculative fiction tour is featuring this book, it is pretty good, and I’m glad I got to read it. I think it serves a certain type of reader, and does it without some of the hopelessness found in regular horror fiction.

I don’t have all the insights in this quirk of the CBA. For a better authority, I’ll refer you to Mike Duran on his posts concerning “Can Horror Fiction Be ‘Redemptive'” (part 1, 2, 3) and a quick discussion on covers speaking about horror here, as well as Mike Dellosso’s own words in this post.

Seemed like a good time to take on this idea of the label of “horror” vs. “supernatural suspense” to a group that enjoys speculative fiction. I’ve read CBA books ranging from a ghost story (Robin Parrish’s Nightmare, labeled as “paranormal suspense”) to vampires (Eric Wilson’s Jerusalem Undead series) that would fit into a horror genre in a normal bookstore, but don’t get promoted that way in the CBA.

Why is that?

I have my thoughts, but what say you, the well-read and clever folks of the CSFF Tour? Let me know what you think, and I’ll answer back in a few days.

Uh, to get back on track, here’s where you can find all of the other fine posts on Darkness Follows from my tourmates.

Thanks for stopping by.