A Nightmare for CBA Fiction?

OK, not quite tomorrow. How about in a week?

In my last post I talked a little about Robin Parrish (Dominion Trilogy, Offworld) and his latest novel Nightmare. It was a featured book of the CFBA this week, and my copy has just arrived from Amazon. I haven’t started it, but I’ve heard not to read it too late at night.

It is being billed as a paranormal suspense. It deals with a girl whose parents were some of the country’s foremost ghost hunters. After a friend of hers disappears, she has to help the fiance find out what happened.

I’ve followed Robin for a long time, as he used to run a significant culture website called “Infuze” that examined the intersection of art and faith. I know that he loves the Lord. I also know that he has a particular taste in speculative fiction and is trying to explore some bigger ideas with his work. He was a big fan of Lost and I believe he uses that influence in his writing (never really watched it myself, so I can’t say for sure).

The point of this is, there were some reviews of Nightmare that questioned its place in the CBA realm of Christian fiction. (For the uninitiated, CBA is a term used to designate fiction written primarily for an evangelical Christian audience, usually through a store like Lifeway or Family Christian Bookstores. CBA is more precise here than saying “Christian fiction”).

It has been argued frequently and widely through the blogosphere on what constitutes Christian (CBA) fiction. Since I’ve been paying attention since around 2005, the tentpoles have increased significantly in just that time. The market is dominated by historical romance and Amish fiction, but includes quality suspense, chick lit, mystery, legal thrillers, and is starting to include more and more speculative fiction (such as science fiction and fantasy).

Having not read Nightmare yet, I’m a little limited in the claims I can make off of it right now. Still, is there room for CBA fiction to grow? Speculative fiction that encompasses more wide-ranging topics is very popular in mainstream culture (I’m quite interested in the upcoming moving Inception).

The CBA could move into other literary genres as well. My next post will talk about a new crime thriller, Back on Murder, that may also move boundaries some.  Check back!

A Nightmare for CBA Fiction?

OK, not quite tomorrow. How about in a week?

In my last post I talked a little about Robin Parrish (Dominion Trilogy, Offworld) and his latest novel Nightmare. It was a featured book of the CFBA this week, and my copy has just arrived from Amazon. I haven’t started it, but I’ve heard not to read it too late at night.

It is being billed as a paranormal suspense. It deals with a girl whose parents were some of the country’s foremost ghost hunters. After a friend of hers disappears, she has to help the fiance find out what happened.

I’ve followed Robin for a long time, as he used to run a significant culture website called “Infuze” that examined the intersection of art and faith. I know that he loves the Lord. I also know that he has a particular taste in speculative fiction and is trying to explore some bigger ideas with his work. He was a big fan of Lost and I believe he uses that influence in his writing (never really watched it myself, so I can’t say for sure).

The point of this is, there were some reviews of Nightmare that questioned its place in the CBA realm of Christian fiction. (For the uninitiated, CBA is a term used to designate fiction written primarily for an evangelical Christian audience, usually through a store like Lifeway or Family Christian Bookstores. CBA is more precise here than saying “Christian fiction”).

It has been argued frequently and widely through the blogosphere on what constitutes Christian (CBA) fiction. Since I’ve been paying attention since around 2005, the tentpoles have increased significantly in just that time. The market is dominated by historical romance and Amish fiction, but includes quality suspense, chick lit, mystery, legal thrillers, and is starting to include more and more speculative fiction (such as science fiction and fantasy).

Having not read Nightmare yet, I’m a little limited in the claims I can make off of it right now. Still, is there room for CBA fiction to grow? Speculative fiction that encompasses more wide-ranging topics is very popular in mainstream culture (I’m quite interested in the upcoming moving Inception).

The CBA could move into other literary genres as well. My next post will talk about a new crime thriller, Back on Murder, that may also move boundaries some.  Check back!

The Nightmare Is Coming

The Nightmare Is Coming

This week the CFBA is featuring Nightmare by Robin Parrish. I didn’t sign up for this tour because I wanted to support Parrish by buying the book (the one downside of participating in the tour sometimes). The book is on its way, and I am looking forward to getting into his mind again.
Still, I want to add a little support to the CFBA tour. Robin provides some interesting thoughts for Christian (CBA) fiction. What are the boundaries of Christian fiction? What can this market accept? Mind you, I haven’t read Nightmare to give any opinions on its content, but I’ve seen a review on Amazon that questions its place in CBA fiction.
Let’s talk more about CBA’s boundaries tomorrow. In the meantime, if you would like to read the first chapter of Nightmare, go HERE.
The Nightmare Is Coming

The Nightmare Is Coming

This week the CFBA is featuring Nightmare by Robin Parrish. I didn’t sign up for this tour because I wanted to support Parrish by buying the book (the one downside of participating in the tour sometimes). The book is on its way, and I am looking forward to getting into his mind again.
Still, I want to add a little support to the CFBA tour. Robin provides some interesting thoughts for Christian (CBA) fiction. What are the boundaries of Christian fiction? What can this market accept? Mind you, I haven’t read Nightmare to give any opinions on its content, but I’ve seen a review on Amazon that questions its place in CBA fiction.
Let’s talk more about CBA’s boundaries tomorrow. In the meantime, if you would like to read the first chapter of Nightmare, go HERE.

Review of Offworld

I am a fan of Robin Parrish.

I’ve followed him for a while through his now-defunct site Infuze, which melded coverage of Christianity with the latest in pop culture. I was introduced to a lot of things there. I disagreed with him on some shows. I read his first three books, the Dominion Trilogy, and was literally ready to pull out my hair after the cliffhanger for the second book, Fearless (thank goodness I was already bald). That book also inspired a post about heroes that has been my most read post (Why Do We Need Heroes?)

Today I’m reviewing his latest book, Offworld. I’ve already posted about it here.

Why the introduction?

Yesterday I gave the synopsis of the book. He starts the book off with an amazing sequence as the astronauts who are returning from the first manned-mission to Mars survive a crash landing on re-entry. The three men and one woman team set off from Kennedy Space Center to Houston, where a mysterious beacon of light is the only clue they have to the disappearance of the human race. They encounter no one, save an anomalous young woman named Mae with an empty personal history.

The opening, as mentioned, is dynamic. The pace of the book doesn’t rest much, as the team survives one harrowing event after another on their way to Houston, finally realizing someone must be out there opposing them. Slowly personal details of the characters slip out, as he continues to weave the tale. The action continues until the big climax in Houston. Robin knows how to keep pages turning.

Unfortunately, Offworld had a lot of letdown to me from his previous books. The characters didn’t have much backstory to make them really standout. There’s the brave commander with a secret, the loyal and longsuffering first officer, the steady yet mysterious specialist, and the hotshot, hot-tempered pilot. That sums up the main characters.

The set-up was so huge (the disappearance of the human race), it was hard to account for everything in the end. The cause of it all smacks too much of a MacGuffin device, too contrived to really hold up the story. I know Robin is a big fan of the TV show Lost, and I know nothing of the show, but I think he may be trying to write to that type of fan with this story.

Another aspect of the story that came across as weak was the setting. No area really stood out, and Robin did a good job of this in the Dominion Trilogy even though that series bounced around so much. The book is set in 2033, but there wasn’t a lot of new technology that punched up the story.

I enjoyed the story to a degree. Robin is a talented suspense writer not afraid of big ideas and challenges. Not every attempt works though. I started out discussing how much I have enjoyed Robin Parrish in the past because I fully intend on following his projects in the future. This book is a decent sci-fi/near future adventure with faults that keep it from really taking off. Unfortunately, I think I had high expectations from before. That might be the problem. I wanted this to be a 5 star book, but it hit me as more of a 3-3.5 star book. Still enjoyable, but not a home run.

If you want other opinions, see the other posters listed at Becky Miller’s blog. Keep an eye on Mr. Parrish, because I expect the unexpected from him in the future, and will continue to look out for his next projects.


Review of Offworld

I am a fan of Robin Parrish.

I’ve followed him for a while through his now-defunct site Infuze, which melded coverage of Christianity with the latest in pop culture. I was introduced to a lot of things there. I disagreed with him on some shows. I read his first three books, the Dominion Trilogy, and was literally ready to pull out my hair after the cliffhanger for the second book, Fearless (thank goodness I was already bald). That book also inspired a post about heroes that has been my most read post (Why Do We Need Heroes?)

Today I’m reviewing his latest book, Offworld. I’ve already posted about it here.

Why the introduction?

Yesterday I gave the synopsis of the book. He starts the book off with an amazing sequence as the astronauts who are returning from the first manned-mission to Mars survive a crash landing on re-entry. The three men and one woman team set off from Kennedy Space Center to Houston, where a mysterious beacon of light is the only clue they have to the disappearance of the human race. They encounter no one, save an anomalous young woman named Mae with an empty personal history.

The opening, as mentioned, is dynamic. The pace of the book doesn’t rest much, as the team survives one harrowing event after another on their way to Houston, finally realizing someone must be out there opposing them. Slowly personal details of the characters slip out, as he continues to weave the tale. The action continues until the big climax in Houston. Robin knows how to keep pages turning.

Unfortunately, Offworld had a lot of letdown to me from his previous books. The characters didn’t have much backstory to make them really standout. There’s the brave commander with a secret, the loyal and longsuffering first officer, the steady yet mysterious specialist, and the hotshot, hot-tempered pilot. That sums up the main characters.

The set-up was so huge (the disappearance of the human race), it was hard to account for everything in the end. The cause of it all smacks too much of a MacGuffin device, too contrived to really hold up the story. I know Robin is a big fan of the TV show Lost, and I know nothing of the show, but I think he may be trying to write to that type of fan with this story.

Another aspect of the story that came across as weak was the setting. No area really stood out, and Robin did a good job of this in the Dominion Trilogy even though that series bounced around so much. The book is set in 2033, but there wasn’t a lot of new technology that punched up the story.

I enjoyed the story to a degree. Robin is a talented suspense writer not afraid of big ideas and challenges. Not every attempt works though. I started out discussing how much I have enjoyed Robin Parrish in the past because I fully intend on following his projects in the future. This book is a decent sci-fi/near future adventure with faults that keep it from really taking off. Unfortunately, I think I had high expectations from before. That might be the problem. I wanted this to be a 5 star book, but it hit me as more of a 3-3.5 star book. Still enjoyable, but not a home run.

If you want other opinions, see the other posters listed at Becky Miller’s blog. Keep an eye on Mr. Parrish, because I expect the unexpected from him in the future, and will continue to look out for his next projects.