Interview – Chris Well and “Tribulation House”

This week’s CFBA tour is for Tribulation House by the talented Chris Well. I’ve known about Chris before his first novel, Tribulation House later this week, as well as continuing my discussion about the Christian Marketplace.

1. You write “laugh-out loud crime thrillers” with gangsters and some rougher elements. How do you deal with the CBA market informal guidelines and realistically portraying these characters? Any problems with dealing with the issue of hardened criminals and the use of cursing?

Frankly, I don’t *want* to write novels that are vulgar: There is enough ugliness in the world without my *adding* to it. Yes, my stories do involve a lot of broken people making a lot of bad choices (and doing a lot of bad things), but a creative writer should be able to leave something to the imagination of the reader.

2. TH is your 3rd book. Was it harder to write your first novel, or iskeeping up with deadlines with your full-time work more challenging?

Each novel is a new journey of discovery for me — so while some elements of the process are getting easier, each time out I am still trying to stretch for something new. If I’m not flying without a net, I am certainly playing close to the edge of the net. As such, I hope each novel is a better read — and I hope I never become so complacent that I stop pushing to that “next place.” And, yes, it is tough doing all this with a day job. But I like what I do, so that is not going to change anytime soon. (Plug: Sign up at http://www.myccm.org!/)

3. What process do you use to keep a handle on your characters and their always interesting quirks?

With these Harvest House books, I got locked into an “ensemble” format, the hardest part of which is coordinating all the different crazy people doing all the separate stories (that still have to criss-cross throughout the novel).

So … it usually means I have to stop every 1/3 of the way or so and re-read everything before I go on. And do a lot of revising as I go. And then eventually make some sort of chart or graph or timeline, and then I write all these bullet points down on index cards …

Let’s just say that at some crucial juncture with all three –FORGIVING SOLOMON LONG, DELIVER US FROM EVELYN, and TRIBULATION HOUSE– there was finally a point where I literally sat down with scissors and a printout and cut up all the different scenes and made everything fit in the right order. So I think you can understand why the projects I’m working on right now are limited to the single-person perspective. (And they are going WAY faster!)

4. What is your favorite comic book story arc? What is Charlie’s?

Wow. Um, off the top of my head: “Unthinkable,” FANTASTIC FOUR Vol. 3, #67-71 (2003), by Mark Waid and Mike Wieringo. Plus KINGDOM COME, ASTONISHING X-MEN, WATCHMEN, COMMON GROUNDS, THE DARK KNIGHT RETURNS, BATMAN: STRANGE APPARITIONS, X-MEN: DAYS OF FUTURE PAST …

I like a lot of comics. (And so does Charlie.)

The Christian Marketplace

Ever since the last fantasy book tour, I’ve been thinking about the paradox that is the “Christian Marketplace”. Never heard of it? Me neither – in that form. There’s no real term for what I’m going to discuss today. In Christian fiction we use the term “CBA” which stands for the Christian Booksellers Association. This is the group that is the gatekeeper for Christian publishing, as opposed to the American Booksellers Association (ABA), which is where secular publishing occurs (although the ABA is not exclusive against Christian authors, while the CBA is). The problem with my discussion today is that it goes beyond fiction, thus the term Christian Marketplace.

To me the Christian Marketplace is the sub-culture that has been created for (mainly) Evangelical Christians in entertainment – encompassing music and fiction primarily, but can include movies, TV, video games, and other mediums. I don’t know the history on how Christian fiction became segregated, but I have some understanding regarding contemporary Christian music (CCM).

CCM came about after the Jesus People movement in the late 60’s/early 70’s, when hippies were getting saved, and doing what came natural to them: playing rock and roll. At first artists were on record labels along with regular artists of the day. Unfortunately, these pioneers were in between a rock and a hard place (no pun intended). Their music was too religious for the mainstream labels, but too loud for the general church audience (and a lot different from the black gospel/southern gospel forms that had been around all along).

Specific music labels were created to be a showcase for these artists. Soon there was Christian radio to play this music, with Christian rock festivals, and Christian music magazines. Soon it became a self-sustaining phenomenon, and it the process turned the word Christian into an artificial genre description rather than what the intent of the term may be.

This has been going on for thirty some-odd years for CCM. Like I said, I don’t know when Christian fiction became a sub-category (after C.S. Lewis’ time, thankfully). But I do know it was mainly known for prarie romances and historical fiction until Frank Peretti came along in the late 80’s with his This Present Darkness and subsequent books. This has triggered a slowly burgeoning fiction landscape that has a pretty diverse selection of books at this point.

Whoa, didn’t know this would start with a history lesson. Where was I going with this? Oh yeah, the CSFF tour from 2 weeks ago. What really got me thinking was a review of Karen Hancock’s book The Light of Eidon on Amazon that was mentioned on Rebecca Grabill’s blog. Check out that review, and I’ll discuss what instigated all of this tomorrow.

The Christian Marketplace

Ever since the last fantasy book tour, I’ve been thinking about the paradox that is the “Christian Marketplace”. Never heard of it? Me neither – in that form. There’s no real term for what I’m going to discuss today. In Christian fiction we use the term “CBA” which stands for the Christian Booksellers Association. This is the group that is the gatekeeper for Christian publishing, as opposed to the American Booksellers Association (ABA), which is where secular publishing occurs (although the ABA is not exclusive against Christian authors, while the CBA is). The problem with my discussion today is that it goes beyond fiction, thus the term Christian Marketplace.

To me the Christian Marketplace is the sub-culture that has been created for (mainly) Evangelical Christians in entertainment – encompassing music and fiction primarily, but can include movies, TV, video games, and other mediums. I don’t know the history on how Christian fiction became segregated, but I have some understanding regarding contemporary Christian music (CCM).

CCM came about after the Jesus People movement in the late 60’s/early 70’s, when hippies were getting saved, and doing what came natural to them: playing rock and roll. At first artists were on record labels along with regular artists of the day. Unfortunately, these pioneers were in between a rock and a hard place (no pun intended). Their music was too religious for the mainstream labels, but too loud for the general church audience (and a lot different from the black gospel/southern gospel forms that had been around all along).

Specific music labels were created to be a showcase for these artists. Soon there was Christian radio to play this music, with Christian rock festivals, and Christian music magazines. Soon it became a self-sustaining phenomenon, and it the process turned the word Christian into an artificial genre description rather than what the intent of the term may be.

This has been going on for thirty some-odd years for CCM. Like I said, I don’t know when Christian fiction became a sub-category (after C.S. Lewis’ time, thankfully). But I do know it was mainly known for prarie romances and historical fiction until Frank Peretti came along in the late 80’s with his This Present Darkness and subsequent books. This has triggered a slowly burgeoning fiction landscape that has a pretty diverse selection of books at this point.

Whoa, didn’t know this would start with a history lesson. Where was I going with this? Oh yeah, the CSFF tour from 2 weeks ago. What really got me thinking was a review of Karen Hancock’s book The Light of Eidon on Amazon that was mentioned on Rebecca Grabill’s blog. Check out that review, and I’ll discuss what instigated all of this tomorrow.

Blog Tour – The Heir

This week, the Christian Fiction Blog Alliance is introducing THE HEIR (Bethany House March 1, 2007) by Paul Robertson.

ABOUT THE AUTHOR:
Paul Robertson is a computer programming consultant, part-time high-school math and science teacher, and former independent bookstore owner in Blacksburg, Virginia. This is his first novel.

ABOUT THE BOOK:
Jason Boyer Just Got an Inheritance to Die For
The fortune wasn’t supposed to befall him. Jason Boyer had known all along his father’s business empire would pass to different hands. Which suited him just fine. The money was crooked and the power corrupt. But when an accident claims the old man’s life, everyone is stunned by the unveiling of the will. With the passing of the Boyer crown, power-hungry politicians and shady business partners all try to force Boyer’s hand. Fighting the temptation of influence and riches, he simply wants to be a better man than his father–but attempting to stand for what’s right soon brings murderous consequences. As those closest to him are endangered–and news emerges that his father’s accident may be something more sinister–Boyer finds himself fighting for his soul…and his life!

Is There Any Escape for The Heir?
All the money he could ever crave. In the splintering crash of a car plunging through a railing, Jason Boyer’s life is changed. All the fame he could ever desire. But the last thing he wanted was the throne of his father’s corrupt business empire. All the power he could ever wield.The estate should have gone elsewhere, but the will was changed. And now everything is Jason’s. But gaining the whole world just might cost him his life.

THE HEIR is a Grisham-like tale of intrigue and murder with a lot of humor and well-drawn minor characters.

Endorsement: “In THE HEIR, Paul Robertson serves up politics, privilege, and murder with a side of acerbic wit. What a fabulous book–a great mix of angst, humor, and ultimately, hope.” T.L.HINES–author of Waking Lazarus and The Dead Whisper On

Blog Tour – The Heir

This week, the Christian Fiction Blog Alliance is introducing THE HEIR (Bethany House March 1, 2007) by Paul Robertson.

ABOUT THE AUTHOR:
Paul Robertson is a computer programming consultant, part-time high-school math and science teacher, and former independent bookstore owner in Blacksburg, Virginia. This is his first novel.

ABOUT THE BOOK:
Jason Boyer Just Got an Inheritance to Die For
The fortune wasn’t supposed to befall him. Jason Boyer had known all along his father’s business empire would pass to different hands. Which suited him just fine. The money was crooked and the power corrupt. But when an accident claims the old man’s life, everyone is stunned by the unveiling of the will. With the passing of the Boyer crown, power-hungry politicians and shady business partners all try to force Boyer’s hand. Fighting the temptation of influence and riches, he simply wants to be a better man than his father–but attempting to stand for what’s right soon brings murderous consequences. As those closest to him are endangered–and news emerges that his father’s accident may be something more sinister–Boyer finds himself fighting for his soul…and his life!

Is There Any Escape for The Heir?
All the money he could ever crave. In the splintering crash of a car plunging through a railing, Jason Boyer’s life is changed. All the fame he could ever desire. But the last thing he wanted was the throne of his father’s corrupt business empire. All the power he could ever wield.The estate should have gone elsewhere, but the will was changed. And now everything is Jason’s. But gaining the whole world just might cost him his life.

THE HEIR is a Grisham-like tale of intrigue and murder with a lot of humor and well-drawn minor characters.

Endorsement: “In THE HEIR, Paul Robertson serves up politics, privilege, and murder with a side of acerbic wit. What a fabulous book–a great mix of angst, humor, and ultimately, hope.” T.L.HINES–author of Waking Lazarus and The Dead Whisper On

Legends of the Guardian King

I’m continuing the CSFF tour regarding Karen Hancock’s latest book, Return of the Guardian King. It is the 4th and final book in her series Legends of the Guardian King. Since I am new to Hancock’s work, I decided that I would dive into the first book, The Light of Eidon in order to point people to the start of the series (there wasn’t any way I would burn through 4 books in time either). Hopefully my introduction to the series will encourage you to pick up a great storyline!

The Light of Eidon centers on Abramm Kalladorne, prince of Kiriath. He is weaker physically and not in direct line to be an heir to the throne, so he pursues the religious society of Mataio in order to serve his country by protecting the Flames of Eidon.

As he approaches the time for his initiation, he is swept up in political intrigue that sees his whole life turned upside down. Questioning his whole life and what he was taught to believe, he must learn to survive in a savage world, finding the truth amidst all the struggle.

Hancock delivers a wonderfully engaging story that is full of the themes and props that make an enjoyable fantasy – epic battles, struggle for life, heroes and heroines, magic, fierce creatures. Her characterization and worlds are well-developed and rightly praised for their engrossing detail. The action draws you in quickly and rarely lets up the pace, without sacrificing quality development of the plot and peoples of this world. She is also very adept at keeping the reader guessing. The truth is not always what it seems, and old foes spring up at unexpected times.

Eidon is a spiritual tale that stands tall as the premier of Christian fantasy, but also deserves recognition outside of the Christian market as well. She shows true struggle, whether physical combat or emotional battles.

One aspect that I truly appreciated was how she handles difficult situations (writing-wise). As an industry, the CBA (Christian Booksellers Association) has some standards that can be controversial in how sin and the “gory” details should be shown. The unofficial standards can cause problems in describing sexual situations, bodily functions, and violence. My opinion is that Hancock delivers a tale based on reality that sets up the situation that is authentic for the story without being sensationalism . For instance, when two characters are attracted to one another, she writes the sexual tension in a way that doesn’t offend sensibilities, but it is clear what is happening. Often in Christian fiction the stigma forces an author to write something that is less than authentic. This is an observation that is more related to the writing craft than the enjoyment of the story, but it doesn’t pull one out of the fictive world like when these type of situations are poorly handled.

Overall, I see why Karen Hancock has won multiple Christy awards for her fiction, and why she is so highly regarded among my fellow speculative fiction fans. I strongly recommend The Light of Eidon. I also encourage you to check out the links I put in yesterday’s post to find out more about Return of the Guardian King and the rest of her books (though watch for spoilers if you’re new to the series).