by Jason Joyner | Jul 12, 2007 | Blog, CFBA, fiction, reviews
There are some books that are a nice, gentle read. They quietly beckon from your bookshelf to spend some quality time with them.
Fearless is not that book.
It is the book that grabs you by your collar, sits you in the chair forcefully, and takes you on a white-knuckled ride from one close call to another. Suspense builds up, loops around, and delivers you to a breathless ending that leaves you wanting…nay-begging for more.
Or something like that.
Robin Parrish, master of Infuze, returns to his Dominion Trilogy with the sequel to Relentless. In the first book we meet the Loci, a group of Ringwearers who are Shifted into new bodies with amazing mental powers. They are supposedly the subjects of a prophecy guarded by the Secretum until the proper time, when The Bringer would come and usher in a new age.
Fearless continues this tale with the world in chaos. Strange natural disasters are occurring around the world, and fear grips the populace. In Los Angeles, the public has a mysterious benefactor with phenomenal powers they dub the Guardian. It is Grant Burrows, who leads a group of Loci to use their powers for good.
When an unusual event leads Grant and his friends to London, he is confronted with his destiny. Will he bring about what was spoken of long ago, or would he find the power within to be Fearless?
I read the first book in the trilogy last fall. I enjoyed it a lot, finding it to be an engaging read with a lot of excitement. Fearless increases this exponentially. Robin has really found a unique voice that keeps you glued to the page and your mind engaged. He has a habit of taking you to the edge of the precipice, only to move to another chapter (and often a different character and setting, keeping you hanging). If you like suspense, then this book will provide enough to satisfy for quite a while.
The characters are varied and have unique personalities that draw you in. A plot-driven book can take you along without letting you invest in the people of the story. The author keeps the action cooking all along while bringing us into their lives, fears, and dreams. Just don’t get too attached, as he pulls no punches as the book hurtles toward the ending.
The book has many strong points, but no work is perfect. Some of the description comes across slightly awkward, but this may well be a matter of taste. Very minor complaint, as it is first and foremost a bold, thrilling story. This is a sweeping tale of the end of the world (perhaps?), and thus has some significant action. At times it gets a little bloody, so the squeamish may get a little uncomfortable. He has set in motion an elaborate mythology. There is not any overt Christianity for those who are concerned with that, but I believe that the payoff lies ahead in the final book.
(This is no criticism, just a little game I amuse myself with. I have a habit of noting the preferred descriptors, metaphors, or distinctives that authors like to use. I can’t help it. In Relentless Robin favored the coppery or metallic taste of blood. This continues to a degree in Fearless, but he moves on to the imagery of blood splattered on another person’s cheek. Play the game – see if you can find any others 😀 )
One more item – Fearless should be pretty easily understood by someone who hasn’t read Relentless. Still, the whole story and mythology is lacking a little if you haven’t read the first book, so just be sure to buy them both and enjoy the ride. I highly enjoyed this book. My only complaint is that I have to wait until next summer for the final installment. Boy, Robin Parrish can be merciless…
This review today is sponsored by the Christian Fiction Blog Alliance. Fearless will be featured in the Christian Sci-fi/Fantasy blog tour in about 10 days as well. I will have a special essay prepared, and hopefully another treat for those looking for more on Robin and his books.
by Jason Joyner | Jul 12, 2007 | Blog, CFBA, fiction, reviews
There are some books that are a nice, gentle read. They quietly beckon from your bookshelf to spend some quality time with them.
Fearless is not that book.
It is the book that grabs you by your collar, sits you in the chair forcefully, and takes you on a white-knuckled ride from one close call to another. Suspense builds up, loops around, and delivers you to a breathless ending that leaves you wanting…nay-begging for more.
Or something like that.
Robin Parrish, master of Infuze, returns to his Dominion Trilogy with the sequel to Relentless. In the first book we meet the Loci, a group of Ringwearers who are Shifted into new bodies with amazing mental powers. They are supposedly the subjects of a prophecy guarded by the Secretum until the proper time, when The Bringer would come and usher in a new age.
Fearless continues this tale with the world in chaos. Strange natural disasters are occurring around the world, and fear grips the populace. In Los Angeles, the public has a mysterious benefactor with phenomenal powers they dub the Guardian. It is Grant Burrows, who leads a group of Loci to use their powers for good.
When an unusual event leads Grant and his friends to London, he is confronted with his destiny. Will he bring about what was spoken of long ago, or would he find the power within to be Fearless?
I read the first book in the trilogy last fall. I enjoyed it a lot, finding it to be an engaging read with a lot of excitement. Fearless increases this exponentially. Robin has really found a unique voice that keeps you glued to the page and your mind engaged. He has a habit of taking you to the edge of the precipice, only to move to another chapter (and often a different character and setting, keeping you hanging). If you like suspense, then this book will provide enough to satisfy for quite a while.
The characters are varied and have unique personalities that draw you in. A plot-driven book can take you along without letting you invest in the people of the story. The author keeps the action cooking all along while bringing us into their lives, fears, and dreams. Just don’t get too attached, as he pulls no punches as the book hurtles toward the ending.
The book has many strong points, but no work is perfect. Some of the description comes across slightly awkward, but this may well be a matter of taste. Very minor complaint, as it is first and foremost a bold, thrilling story. This is a sweeping tale of the end of the world (perhaps?), and thus has some significant action. At times it gets a little bloody, so the squeamish may get a little uncomfortable. He has set in motion an elaborate mythology. There is not any overt Christianity for those who are concerned with that, but I believe that the payoff lies ahead in the final book.
(This is no criticism, just a little game I amuse myself with. I have a habit of noting the preferred descriptors, metaphors, or distinctives that authors like to use. I can’t help it. In Relentless Robin favored the coppery or metallic taste of blood. This continues to a degree in Fearless, but he moves on to the imagery of blood splattered on another person’s cheek. Play the game – see if you can find any others 😀 )
One more item – Fearless should be pretty easily understood by someone who hasn’t read Relentless. Still, the whole story and mythology is lacking a little if you haven’t read the first book, so just be sure to buy them both and enjoy the ride. I highly enjoyed this book. My only complaint is that I have to wait until next summer for the final installment. Boy, Robin Parrish can be merciless…
This review today is sponsored by the Christian Fiction Blog Alliance. Fearless will be featured in the Christian Sci-fi/Fantasy blog tour in about 10 days as well. I will have a special essay prepared, and hopefully another treat for those looking for more on Robin and his books.
by Jason Joyner | Jul 10, 2007 | Blog, cliffhangers, fiction
A good book should keep you wanting coming back for more. Each chapter keeps you hanging, every time you have to put it down you look forward to the time you can return to the excitement. This can be via explosions and action, or emotional tension and consequence – the point is to keep the reader hooked.
All well and good. Except now I want to clobber a certain author.
I just finished a book for an upcoming blog tour. I read the prior one last year sometime, and enjoyed it. The sequel takes the prior story and ratchets up the tension exponentially. I enjoyed the first book. I devoured the second one.
The only problem…do you know how you’re getting close to the end of the novel, and you look at the pages remaining and wonder, “How is the author going to tie this up?” I started pondering the same thing. (Noted later there were a few blank pages at the end…why do they DO that?)
And then the rug was pulled out from under me. The author had two major events happen on the last page. He totally left us hanging. (Literally) And the third book is not due until next summer.
Arrrrrgh!
It’s okay. I’ll forgive him and gobble up the book next year. Point to the author. That’s his goal, and hopefully I can learn from that. But one whole year??? NOT FAIR…
by Jason Joyner | Jul 10, 2007 | Blog, cliffhangers, fiction
A good book should keep you wanting coming back for more. Each chapter keeps you hanging, every time you have to put it down you look forward to the time you can return to the excitement. This can be via explosions and action, or emotional tension and consequence – the point is to keep the reader hooked.
All well and good. Except now I want to clobber a certain author.
I just finished a book for an upcoming blog tour. I read the prior one last year sometime, and enjoyed it. The sequel takes the prior story and ratchets up the tension exponentially. I enjoyed the first book. I devoured the second one.
The only problem…do you know how you’re getting close to the end of the novel, and you look at the pages remaining and wonder, “How is the author going to tie this up?” I started pondering the same thing. (Noted later there were a few blank pages at the end…why do they DO that?)
And then the rug was pulled out from under me. The author had two major events happen on the last page. He totally left us hanging. (Literally) And the third book is not due until next summer.
Arrrrrgh!
It’s okay. I’ll forgive him and gobble up the book next year. Point to the author. That’s his goal, and hopefully I can learn from that. But one whole year??? NOT FAIR…
by Jason Joyner | Jul 10, 2007 | Blog, movies, Pixar, reviews, writing craft
The first thing I am going to say about the movie Ratatouille is this: don’t take your kids. Serious. That way you can enjoy one of the best story-tellers in movies today without having to worry about popcorn, drinks, potty breaks, or other assorted kid things.
Okay, you can take the kids. They’ll enjoy the cute rat and his kitchen antics. However, they won’t come close to appreciating the delicious tapestry that Brad Bird and company creates for our viewing pleasure (and my mixed metaphor pleasure…). In my opinion, there is no better filmmaker today, and he happens to work for the best movie company in Pixar. Yes, I loved The Incredibles, also written and directed by Mr. Bird. I have also heard wonderful things about his movie The Iron Giant, which I have yet to see.
Enough gushing. The thing is, if a writer can take the concept of a rat in a kitchen (my mother-in-law is still having trouble wrapping her head around that) and make it entertaining, endearing, and overall believable, then you have a real talent. Remy is a country rat in France who has a nose and taste for the good things in life, related to food. His family is not so picky, and it causes a lot of tension for Remy. It seems he has been sneaking into a house to watch a cooking show by the famous Parisian chef Gusteau and has been learning the fine points of cuisine.
After an incident that sweeps him through the sewers to Paris, he ends up in the kitchen of Gusteau’s restaurant. The restaurant is struggling after the great chef’s untimely demise, and is being run by a charlatan more interested in making cheap frozen foods using Gusteau’s name. Remy stumbles across the new garbage boy, and after fixing a soup that the boy, Linguini, had messed up, is linked with the boy in finding their destiny together.
Linguini is hired as a chef but can’t cook beans. Remy ends up riding under his hat and controls him by pulling hair like levers to mastermind a renaissance in the kitchen. But this cannot be blissful: tension arises from Remy’s lost family, the paranoid head chef, and an icy food critic.
The lesson applicable to writers that read this (and hopefully all of Hollywood can catch it as well) is the insistance Pixar has of making the story first, rather than the other trappings. Remy is a fully realized character. He is nuanced, conflicted, and vunerable. The interaction of Linguini and his rat savior is very touching. The movie plays the heart strings gently and keeps you engaged despite the clamoring of the younger set.
Not that the movie is all character development. The visuals keep improving with time, and Pixar shows off a rat’s fur when wet or impacted by…static electricity. There are times when Remy’s animal behaviors (sniffing, fearing humans or danger) are so lifelike despite his cartoonish image. The zany things Linguini does while controlled by Remy are eye-popping. The story has plenty of action and conflict to keep the pace moving. Even The Incredibles slows for a little while, but I didn’t catch any of that with Ratatouille.
I’ve enjoyed Spiderman 3, watched Pirates 3, and suffered through Fantastic Four: Rise of the Poor Screenplay. None of them compare to the joy that is Ratatouille. Those of us in the creative community need to speak with the only language Hollywood understands: our dollars. If you value creative and compelling storytelling, go see Ratatouille. You’ll also have a great time!
by Jason Joyner | Jul 10, 2007 | Blog, movies, Pixar, reviews, writing craft
The first thing I am going to say about the movie Ratatouille is this: don’t take your kids. Serious. That way you can enjoy one of the best story-tellers in movies today without having to worry about popcorn, drinks, potty breaks, or other assorted kid things.
Okay, you can take the kids. They’ll enjoy the cute rat and his kitchen antics. However, they won’t come close to appreciating the delicious tapestry that Brad Bird and company creates for our viewing pleasure (and my mixed metaphor pleasure…). In my opinion, there is no better filmmaker today, and he happens to work for the best movie company in Pixar. Yes, I loved The Incredibles, also written and directed by Mr. Bird. I have also heard wonderful things about his movie The Iron Giant, which I have yet to see.
Enough gushing. The thing is, if a writer can take the concept of a rat in a kitchen (my mother-in-law is still having trouble wrapping her head around that) and make it entertaining, endearing, and overall believable, then you have a real talent. Remy is a country rat in France who has a nose and taste for the good things in life, related to food. His family is not so picky, and it causes a lot of tension for Remy. It seems he has been sneaking into a house to watch a cooking show by the famous Parisian chef Gusteau and has been learning the fine points of cuisine.
After an incident that sweeps him through the sewers to Paris, he ends up in the kitchen of Gusteau’s restaurant. The restaurant is struggling after the great chef’s untimely demise, and is being run by a charlatan more interested in making cheap frozen foods using Gusteau’s name. Remy stumbles across the new garbage boy, and after fixing a soup that the boy, Linguini, had messed up, is linked with the boy in finding their destiny together.
Linguini is hired as a chef but can’t cook beans. Remy ends up riding under his hat and controls him by pulling hair like levers to mastermind a renaissance in the kitchen. But this cannot be blissful: tension arises from Remy’s lost family, the paranoid head chef, and an icy food critic.
The lesson applicable to writers that read this (and hopefully all of Hollywood can catch it as well) is the insistance Pixar has of making the story first, rather than the other trappings. Remy is a fully realized character. He is nuanced, conflicted, and vunerable. The interaction of Linguini and his rat savior is very touching. The movie plays the heart strings gently and keeps you engaged despite the clamoring of the younger set.
Not that the movie is all character development. The visuals keep improving with time, and Pixar shows off a rat’s fur when wet or impacted by…static electricity. There are times when Remy’s animal behaviors (sniffing, fearing humans or danger) are so lifelike despite his cartoonish image. The zany things Linguini does while controlled by Remy are eye-popping. The story has plenty of action and conflict to keep the pace moving. Even The Incredibles slows for a little while, but I didn’t catch any of that with Ratatouille.
I’ve enjoyed Spiderman 3, watched Pirates 3, and suffered through Fantastic Four: Rise of the Poor Screenplay. None of them compare to the joy that is Ratatouille. Those of us in the creative community need to speak with the only language Hollywood understands: our dollars. If you value creative and compelling storytelling, go see Ratatouille. You’ll also have a great time!
